PAVE Contemporary highlights art collectors Fadi Braiteh and Dan Nguyen in a …

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Amir Fallah (credit: Alan Shaffer)

PAVE Contemporary announces the start of ” Cured / CLASSIFIED: Fanaticism, a societal cancer‘, a provocative new group exhibition that explores the tensions and emotions that systematic prejudices engender in society. It presents a group of pioneering contemporary multimedia and multidisciplinary artists, all based in the United States, who, through their nuanced narrative figurative portraits, engage extremism, discrimination and prejudice in Western society. Hosted at HOFA Gallery, London, it will launch on March 22 and last two weeks until April 5, 2021 with the incomparable Amir Fallah headling, whose iconic veiled portraits have come to represent the growing trend of abstract figurative portraiture in contemporary American art.

Double Xolotl by Christian Ruiz Berman, Acrylic on panel, 2020

“Cured / CLASSIFIED: Fanaticism, a cancer of society” is the latest installment in HOFA’s groundbreaking exhibition series focused on highlighting the portfolios of selected art collectors. It is co-hosted by Las Vegas-based oncologist Dr Fadi Braiteh and New York-based physician and entrepreneur Dr Dan Nguyen, who share a deep passion for contemporary art and a belief in transformative power. and redeemer of art. Drawing parallels between the debilitating effects of metastatic cancer and the cancerous suffering and discord brought on by deep-rooted bigotry, the two curators chose to present artists whose works dissect the disturbing schisms of society through the narrative perspectives of groups. marginalized.

Fadi and Dan share a mutual admiration for the 13 emerging artists whose works will appear in “CURE / RATED: Bigotry, A Societal Cancer”. These include the Iranian-American painter, Amir Fallah whose politically charged painting, Remember this (2020), draped the facade of the Institute of Contemporary Art in San José, Calif., During the 2020 US election. The exhibition will highlight a selection of Amir’s’ portraitsFrom primitive to present‘collection that pays homage to the universality of human experience across place and time through the intentional relegation of the superficial. Functionality is also defined Alannah Farrell whose vivid narrative paintings, such as the controversial Sam and Richard (2019), celebrate queer identity and sexuality while challenging some of the conventional assumptions that fuel gender bias. Next to it will be Christian Ruiz Berman; multitalented artist, curator, poet and scholar whose magical realistic collage paintings are imbued with the vibe and symbolisms of his native Mexico. His meditative dissections of personal and collective experiences will be on display during the exhibition, offering insight into the artist’s scathing interpretations of the root causes of bigotry.

Life Ain’t a Picnic by Katelyn Ledford, Acrylic, oil, gouache and plasticine on canvas on panel, 2021

Select the works of Katelyn ledford, Lindsey Kircher and Jacob Hicks will also appear in the upcoming HOFA exhibition, representing multifaceted perspectives on sexism and women’s tireless efforts to overcome it. While Katelyn Ledford’s deconstructed portraits incorporating collages of pop culture and historical portraiture symbols highlight the unfair and unrealistic expectations Western society places on women, Lindsey Kircher portrays resilient women whose thick limbs and voluminous bodies defy Western conventions of beauty while amplifying the power and dominance of the female presence. Likewise, Jacob Hicks challenges the objectification of women by creating female icons in a transcendent, cross-cultural style that combines influences from multiple sources, including Renaissance art and sacred iconography.

Solomon Adoufa, Eric Foss, Kezia Harrell, Brian robertson, Carlson Hatton, and Michel cline complete the exceptional set of contemporary artists invited to present their works in “CURE / RATED: Bigotry, A Societal Cancer”. Although their different approaches range from festive self-expression to satirical social criticism, revealing deconstruction, and critical self-portrait, these artists recognize identity as a key locus of sectarian violence. Their narrative portraits invariably affirm each other’s innate power of action, regardless of race, gender, ethnicity or culture.

Speaking about this upcoming exhibition, PAVE Contemporary co-founder Elio D’Anna said: “The response to our “Curated” series of exhibitions has been incredible and working closely with art collectors like Fadi and Dan who are passionate about discovering and supporting emerging artists is very exciting.

He adds: “‘CURE / RATED: Bigotry, A Societal Cancer’ addresses a topic that occupies the minds of people all over the world today. Art can help us heal and raise awareness, and we hope viewers will be open to consider how they see different people, as this is an important step towards embracing diverse identities and the fight against sectarianism in all its forms.

Contemporary paverCURE / CLASSIFIED: fanaticism, a cancer of society » open to HOFA Gallery, London on March 22 and will run for two weeks until April 5, 2021.

A parallel virtual show will also be accessible to everyone online via a secure web link.

In accordance with Covid-19 security protocols, all gallery visits will be strictly on an RSVP basis.


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